For Will

My friend, Will Merrill, and I were recently discussing some of the more photographed designers of the 1970s. One name that Will mentioned was Charles Dear, a designer who, though not well-known today, was once featured in shelter magazines on a rather frequent basis. I recognized the name for I have seen Dear's work from time to time in some of my old magazines and books, but I know little about him. In fact, I tried to do some online research before posting this, but very little information can be gleaned.

Yesterday, as blogger panic disorder set in while I was trying to figure out what the heck to write for this post, I picked up a January 1971 issue of House Beautiful, and lo and behold, Charles Dear's Southampton home was featured. The house, which won the American Institute of Interior Designers' 1970 Eastern Region Award, was referred to as a "miniature French manor" by the magazine. The home's interior is peppered with popular design elements of the '70s, including Mexican tile floors, sliding glass doors, bold pattern and splashes of lime green. But if you look past the bright colors and bold prints, you'll find an interesting mix of antiques and modern furnishings, including now-classic Bielecky Brothers cane chairs in the dining room, a John Vesey leather and steel chair in one of the bedrooms, and a Triennale floor lamp by Arredoluce in the living room. Actually, there is quite a bit that's classic about these interiors.

So, Will, this post is for you and anyone else who was a fan of Charles Dear's work.

The living room, above, had layers of pattern, most prominently seen in that rug. To the right of the sofa, above, was a Triennale lamp that got cut out of the photo scan.